Mo reassures anxious Bear that, at Moses' Mechanical, he has years experience with lifting up so installing lift kits is simple. Meanwhile Mike the mechanic wonders why the doors on the Edsel won't close any more.
Your subtle frame-lighting nuance departures, from one frame to the other, are exquisite. Old-time photography buffs spot them, I'm certain. For others; it just pleases the eye to no end!
And as the original D4C (DieCast Car Collectors Club) founder, Jay Olins, was fond of saying, and I'm pleased to repeat here - Huzzah!!
I noticed, what looked to me, in this set, to be small, almost imperceptible, changes in lighting scales that appeared to be a departure from some of your other gradient-lighted scenes.
I noticed, what looked to me, in this set, to be small, almost imperceptible, changes in lighting scales that appeared to be a departure from some of your other gradient-lighted scenes.
Oh I see.....very clever on my part no?????...........here`s what actually happened Tony.......I shot the black gloss base in the house a long time ago.....then, comparatively recently, shot the deck setup ......and then took the pieces out the very next morning to try to get the blessing of the morning light magic faeries....
I suspect you had already surmised this, but "subtle frame-lighting nuance departures" was burning a hole in your massive bin of complimentary phraseologies....................I shall heretofore endeavour to depart nuances in a more purposeful manner
Youse guys are tossing around a mess of multi- syllable woids that are givin' me skull cramps already! Aside from all that; what's the picture of Ray Walston doing in all this?
Youse guys are tossing around a mess of multi- syllable woids that are givin' me skull cramps already!
Tony was being exceedingly gracious,and that Barry guy was being a proper miscreant.......seen it happen `round these parts pretty regular
Uncle Martin sez Hi








