This has been around for a while...but it's still funny:
John Kuvakas
Warrenton, VA
Gotta love these.
Based on the above I don't qualify. Thank you God.
John Bono
North Jersey
@sizedoesmatter Nor do I, but put Huddie Ledbetter on the turntable: ain't nob'dy gonna' stop me singin' 'long.
Well John, I believe you covered every base. Never thought much about the blues growing up in the midwest but since moving south many years ago, I've been educated.
Down South! On the Bayou in the winter when the sun don't shine and the wind blowin' cold as the heart of that woman of mine!
John Kuvakas
Warrenton, VA
Here's the closest I come to "Da Blues" I believe it's considered blues-rock...
John Bono
North Jersey
Growing up to understand "White boy sings the blues" as a prjorative term, I do not warm to white singers' grating intonations and dragged-out styles in an attempt to emulate their black counterparts' style. However certain '60s Southern bands understood the blues sound, and used that to create a new sound of their own, (as Elvis had done). The best of Swamp Rock in my humble view is Canned Heat - On The Road Again.
Forgive me if I posted this before: There was a jazz teacher at Oberlin College who posited that all classic 12-bar blues was in iambic pentameter. For example,
"I will not be afraid of death and bane,
I will not be afraid of death and bane,
'Til Burnham Wood do come to Dunsinane."
Or
"What night rule now upon this haunted grove?
What night rule now upon this haunted grove?
My mistress with a monster is in love."
Also, cursing a real blue streak is also in iambic pentameter. For example,
"You blank-blank blanking blank-blank-blanking BLANK!"
@frank Excellent choice Frank. Few people know he wrote C. C. Rider (Easy Rider) nor that his version of the traditional House Of The Rising Sun is the earliest, as we know it in Animals form (ie that he wrote that too). But this is spot on for the present thread.
@brush Fantastic version of Tobacco Road. Many thanks for finding and sharing it.
